Matane (provincial electoral district)

September 8th, 2008

Matane
National Assembly Member Pascal Bérubé
Parti Québécois
Electors, 2007 27,919
Electoral district created 1890
Region Gaspésie—Îles-de-la-Madeleine
Bas-Saint-Laurent

Matane is a provincial electoral district in Quebec, Canada, that which elects members to the National Assembly of Quebec. It was created in 1890 from parts of Rimouski.

Contents

  • 1 Geography
  • 2 Linguistic demographics
  • 3 Members of Legislative Assembly
  • 4 Members of the National Assembly
  • 5 Electoral results
  • 6 References
  • 7 Neighbouring electoral districts

Geography

The riding is located on Gaspé Peninsula, along the southern shore of the Saint Lawrence River.

It consists of the municipalities of:

  • Baie-des-Sables
  • Cap-Chat
  • Grosses-Roches
  • La Martre
  • Les Méchins
  • Marsoui
  • Matane
  • Mont-Saint-Pierre
  • Rivière-à-Claude
  • Saint-Adelme
  • Sainte-Anne-des-Monts
  • Sainte-Félicité
  • Saint-Jean-de-Cherbourg
  • Saint-Léandre
  • Sainte-Madeleine-de-la-Rivière-Madeleine
  • Saint-Maxime-du-Mont-Louis
  • Sainte-Paule
  • Saint-René-de-Matane
  • Saint-Ulric

It also consists of the unorganized territories of:

  • Coulée-des-Adolphe
  • Mont-Albert
  • Rivière-Bonjour

Linguistic demographics

  • Francophone: 99.5%
  • Anglophone: 0.3%
  • Allophone: 0.1%

Members of Legislative Assembly

Legislature Years Member Party
7th 1890-1892     Louis-Félix Pinault Liberal
8th 1892     Edmund James Flynn Conservative
1892 By-Election 1892-1897     Louis-Félix Pinault Liberal
9th 1897-1898
1899 By-Election 1899-1900     Donat Caron Liberal
10th 1900-1904
11th 1904-1908
12th 1908-1912
13th 1912-1916
14th 1916-1918
1918 By-Election 1918-1919     Octave Fortin Liberal
15th 1919-1923     Joseph Dufour Liberal
16th 1923-1927     Joseph-Arthur Bergeron Liberal
17th 1927-1931
18th 1931-1935
19th 1935-1936
20th 1936-1939     Onésime Gagnon Union nationale
21st 1936-1939
22nd 1944-1948
23rd 1948-1952
24th 1952-1956
25th 1956-1958
1958 By-Election 1958-1960     Benoît Gaboury Union nationale
26th 1960-1962     Philippe Castonguay Liberal
27th 1962-1963
1964 By-Election 1964-1966     Jacques Bernier Liberal

Members of the National Assembly

Legislature Years Member Party
28th 1966-1970     Jean Bienvenue Liberal
29th 1970-1973
30th 1973-1976     Marc-Yvan Côté Liberal
31st 1976-1981     Yves Bérubé Parti québécois
32nd 1981-1985
33rd 1985-1989     Claire-Hélène Hovington Liberal
34th 1989-1994
35th 1994-1998     Matthias Rioux Parti québécois
36th 1998-2003
37th 2003-2007     Nancy Charest Liberal
38th 2007-     Pascal Bérubé Parti québécois

Electoral results

Quebec general election, 2007
Party Candidate Votes % ±%
     Parti Québécois Pascal Bérubé 7,830 39.10
     Liberal Nancy Charest 7,617 38.04
     Action démocratique Donald Grenier 3,980 19.88
     Québec solidaire Brigitte Michaud 358 1.79
     Green François Vincent 240 1.20
Quebec general election, 2003
Party Candidate Votes % ±%
     Liberal Nancy Charest 7,602 40.84
     Parti Québécois Pascal Bérubé 7,569 40.67
     Action démocratique Raynald Bernier 3,005 16.14
     Independent Nelson Gauthier 178 0.96
     Independent Nestor Turcotte 135 0.73
     Green David Lejeune 124 0.67
1995 Quebec referendum
Side Votes %
Oui 15,611 62.46
Non 9,381 37.54
1980 Quebec referendum
Side Votes %
Non 12,285 52,41
Oui 11,154 47,59

References

  • Quebec Votes 2007, Riding Profiles Canadian Broadcasting Corporation, retrieved 25 February 2007
  • Information on the Electoral Divisions Holding Elections Directeur Général des Élections du Québec, retrieved 25 February 2007
  • Référendum du 30 octobre 1995 Directeur Général des Élections du Québec, retrieved 25 February 2007
  • Matane election results, Quebec Politique
  • Map of Matane
  • Quebec electoral map

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Nudity in Science-Fiction Literature

September 8th, 2008

Nudity portal
Literature portal

Nudity, frequently found in science fiction, often symbolizes inner or outer situations. In such cases, the circumstance that individuals, groups or entire nations are not clothed is not simply an expression of a natural form of living. It may be metaphorical or allegorical, or may have other significance within the narrative. A plenitude of positive or negative meanings can be attributed to such nudity, such as perfection, beauty, simplicity, innocence, childishness, frankness, but also poverty, humiliation or defencelessness.

The following are some examples of the symbolic, or otherwise thematically significant, use of nudity:

  • H. G. Wells presents in his utopia Men Like Gods (1923), largely a work of social philosophy, a mankind in another dimension that has developed to an advanced stage of beauty, intelligence, sociability and peace. The almost complete nudity stands for the ideal of a perfect life.
  • In Odd John by Olaf Stapledon humans who have evolved beyond ordinary humanity abandon the use of clothes.
  • In the classic 1950s movie Forbidden Planet, beautiful, young Altaira swims naked and wears scanty clothing. This helps to emphasize the Arcadian or Edenic nature of life on her planet, while also highlighting both her essential innocence and her potential for sexual experience.
  • In some novels and stories of Robert A. Heinlein, especially in his satirical Stranger in a Strange Land (1961), nudity serves as the symbol of an alternative form of living, as a protest against the tradition, and as a sign of the liberation from controls. Heinlein’s criticism of the modern lifestyle, however, is imparted with a wink. In the same author’s Job: A Comedy of Justice, casual nudity indicates basic maturity and lack of shame.
  • In Marion Zimmer Bradley’s lengthy The Mists of Avalon (1982), nudity appears only in a short episode, but the meaning characterizes the whole story. Nudity here symbolizes naturalness and innocence as well as threat and vulnerability.
  • In several early stories by John Varley characters wear skin-tight reflective force fields over their naked bodies instead of spacesuits, so that they resemble animated nude statues. When two force fields touch they merge together, which allows wearers to touch skin to skin, and even make love, no matter how hostile the external environment may be. In this context, nudity is used to emphasize the ability of technology to conquer hostile environments; the wearers may appear naked, but they are no longer (at least physically) vulnerable. Much the same mechanism is used by Dan Simmons in his Hyperion Cantos.
  • In Gene Roddenberry’s Star Trek: The Next Generation (1987-1994), it is established that the Betazoid race conduct weddings in the nude as a celebration of love. Nudity is expected of the bride, groom, wedding party, and guests (not mandatory, just customary). In one episode, however, Lwaxana Troi decides to break her engagement to a groom (from a stuffy, protocol-obsessed people who are not interested in fun) by showing up in the buff at the wedding ceremony. Conversely, Ferengi females are forbidden to wear clothing, a topic more fully explored in Star Trek: Deep Space 9.
  • Piers Anthony uses nudity in the Apprentice Adept series (Split Infinity (1980), Blue Adept (1981), Juxtaposition (1982)) to separate the social status of the inhabitants of the planet Proton. A Serf (a kind of indentured servant) is required to wear no clothing except in the privacy of their quarters. The political leaders, Citizens, may choose to wear clothing.
  • Kim Stanley Robinson makes extensive use of social nudity in his Mars and Three Californias trilogies. Over time, mores change to the extent that people are no longer ashamed to be seen by family and friends without clothes for swimming or communal bathing.
  • “Cloak of Anarchy” by Larry Niven uses the public nudity of one young woman as the story’s leitmotif. In it, a technology that prevents the use of force enables a community where peaceful anarchy prevails. The lifestyle of the subculture includes nudity; however, when the technology fails, the woman finds herself helpless against sexual assault by multiple males. Niven has stated, and makes the point here, that he considers pacifism unfeasible and that “human nature” can never really change.
  • In Watchmen, Dr Manhattan transcends mankind and its limits and so stops using clothing.

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Phrynobatrachus ogoensis

September 8th, 2008

Phrynobatrachus ogoensis
Conservation status

Data Deficient (IUCN 3.1)
Scientific classification
Kingdom: Animalia
Phylum: Chordata
Class: Amphibia
Order: Anura
Family: Petropedetidae
Genus: Phrynobatrachus
Species: P. ogoensis
Binomial name
Phrynobatrachus ogoensis
(Boulenger, 1906)
Synonyms

Phrynobatrachus brongersmai Parker, 1936

Phrynobatrachus ogoensis is a species of frog in the Petropedetidae family. It is found in Gabon and Liberia. Its natural habitats are freshwater marshes and intermittent freshwater marches.

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Squire

September 7th, 2008

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In feudal or medieval times a squire was a man-at-arms in the service of a knight, often as his apprentice. In later centuries, the term’s meaning shifted. Squires are often known in current day as wealthy landowning people in rural England.

Contents

  • 1 Medieval usage
  • 2 Later usage
    • 2.1 The term esquire
    • 2.2 Village squire
    • 2.3 Slang
  • 3 Squires in literature
  • 4 See also

Medieval usage

The English word squire comes from the Old French escuier (modern French écuyer), itself derived from the Late Latin scutarius (”shield bearer”), in medieval or Old English a ’scutifer].. The Classical Latin equivalent was armiger, “arms bearer”.You would have to be at the age of 13-14 to become a squire.

A squire was originally a young man who aspired to the rank of knighthood and who, as part of his development to that end, served an existing knight as his attendant or shield carrier. However, during the Middle Ages the rank of the squire came to be recognized in its own right and, once knighthood ceased to be conferred by any but the monarch, it was no longer to be assumed that a squire would in due course progress to be a knight. The connection between a squire and any particular knight also ceased to exist, as did any shield carrying duties.

Later usage

The term esquire

Main article: Esquire

In the post-mediaeval world, the title of esquire came to belong to all men of the higher gentry; an esquire ranked socially above a gentleman but below a knight. In the modern world, where all men are assumed to be gentlemen, the term has correspondingly often been extended (albeit only in very formal writing) to all men without any higher title. It is used post-nominally, usually in abbreviated form: “Thomas Smith, Esq.”, for example.

In the United States, this style is most common among attorneys, borrowing from the English tradition whereby all barristers were styled “Esquires”. (Solicitors were only entitled to the style “Mr”.)

Village squire

In English village life from the late 17th century through the early 20th century, there was often one principal family of gentry, owning much of the land and living in the largest house, maybe the manor house. The head of this family was often called “the squire.”

Squires were gentlemen with a coat of arms and were often related to peers. Many could claim descent from knights and had been settled in their inherited estates for hundreds of years. The squire usually lived at the village manor house and owned an estate comprising the village with the villagers being his tenants. If the squire “owned the living” (i.e. — “was patron”) of the parish church—and he often did—he would choose the rector, a role often filled by a younger son of the squire. Some squires also became the local rector themselves and were known as squarsons—a combination of the words squire and parson. The squire would also have performed a number of important local duties, in particular that of justice of the peace or Member of Parliament. Such was the power of the squires at this time that modern historians have created the term squirearchy.

Politically, during the 19th century squires tended to be Tories whereas the greatest landlords tended to be Whigs.

The position of squire was traditionally associated with occupation of the manor house, which would often itself confer the dignity of squire. It is unclear how widely the village squire may still be said to survive today; but where it does, the role is likely more dependent upon a recognition of good manners, lineage and long family association rather than land, which, while relevant, is nowadays likely to be considerably smaller than in former years due to high post-war death duties and the prohibitive costs associated with maintaining large country houses.

In Scotland, whilst Esquire and Gentleman are technically correctly used at the Court of the Lord Lyon, the title Laird, in place of squire, is more common. Moreover, in Scotland Lairds append their territorial designation to their names as was traditionally done on the continent of Europe (e.g., Donald Cameron of Lochiel). The territorial designation fell into disuse in England early on, save for peers of the realm.

The linguistic and social development of squire is paralleled by that of the German junker, which originally meant “young lord” and denoted the poorer and unimportant part of the aristocracy, but “went up in the world” in much the same time as squire did in England.

Slang

The term ’squire’ is sometimes used, particularly in cockney slang, by men when addressing another man. In this context it is interchangeable with other slang terms such as ‘mate’, ‘pal’ or ‘chum’, but possibly less familiar (i.e. used when the person addressed isn’t known to the speaker) and/or when there is an implied subordinate relationship to the person being addressed. This usage crops up frequently in comedy sketches by Monty Python, et. al. Example: “Yes squire, what can I do for you?”. Certain “squires” are also known to use the expression to describe units of measurement, mainly metre “squired” (m2) which is recognized throughout the construction industry.

Squires in literature

The most famous squire in world literature, albeit as a caricature, is probably the babbling Sancho Panza.

In English literature, people usually remember Squire Trelawney, one of the many literary creations of Robert Louis Stevenson, a Cornish squire who protects young Jim Hawkins from the murderous pirates who are seeking his treasure map, and helps him engage a crew to sail to Treasure Island.

William Makepeace Thackeray’s depiction of a squire in Vanity Fair showed the class to be lecherous, ill-educated, badly mannered relics of an earlier age. However, he clearly shows their control of the life of the parish.

There are numerous other squires in English literature. King Arthur in The Sword in the Stone was Sir Kai’s squire as a boy. Others include Squire Hamley in Elizabeth Gaskell’s Wives and Daughters; the squire in The Canterbury Tales; and Squire Allworthy (based on Ralph Allen) in the novel Tom Jones by Henry Fielding, who was himself a squire and magistrate.

In the collection of short novels SMM7: Adventures of a Quantity Surveyor, Sir Hector and his gathering of associates, Rab Van Der Crab, Robberto, MCAP, Hamido Amigo, Large Ally, Obi Wan Shinobi and Verererek are known as the Squires. They often embark on fantastic adventures to far off lands, across the border and over treacherous waters. A trip to a mysterious island in Croatia is surely a possibility.

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Indian Head No. 156, Saskatchewan

September 7th, 2008

The Rural Municipality of Indian Head No. 156 is a rural municipality in the Canadian province of Saskatchewan. Indian Head No. 156 is located in South East Saskatchewan, in SARM division 1.

History

Before 1905, Indian Head would have been part of the North West Territories.

The first settlers moved into the district in 1882. Indian Head was established as a town in 1902, and was said to be the largest point of initial shipment of wheat in the world. Indian Head has had many firsts in its history - the water and sewer system has long been the pride of Indian Head citizens. The water and sewer system was originally installed about 80 years ago. The water is the best in the country. It comes from the Squirrel Hills and flows by gravity for about 10 km into town. In 1978 our sewage lagoon was enlarged and upgraded and should take care of our needs for the foreseeable future.

The town had the first rural dial telephone service in the province and was one of the first to have direct long distance calling.

The town had a power plant built and electricity installed throughout the town in 1906. Natural gas was installed in the town in 1960 and has proved very beneficial.

Demographics

According to the Canada 2006 Census:

• Population: 356 (-10.6% from 2001)
• Land area: 759.98sqkm km2 (Expression error: Unrecognised word “sqkm” sq mi)
• Population density: 0.5 inhabitants per square kilometre (1.3 /sq mi)
• Median age: 44.4 (males: 43.8, females: 45.5)
• Total private dwellings: 145
• Dwellings occupied by permanent residents: 138
• Mean household income: $N/A
  This Saskatchewan location article is a stub. You can help Wikipedia by expanding it.

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Füle

September 6th, 2008

Füle

Füle (Hungary)

Füle
Füle

Location of Füle

Coordinates: 47°03?13?N 18°14?56?E? / ?47.05350, 18.24899
Country Flag of Hungary Hungary
County Fejér
Area
 - Total 30.32 km² (11.7 sq mi)
Population (2004)
 - Total 884
 - Density 29.15/km² (75.5/sq mi)
Time zone CET (UTC+1)
 - Summer (DST) CEST (UTC+2)
Postal code 8157
Area code(s) 22

Füle is a village in Fejér county, Hungary.

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Terence Ivan Grant Morgan

September 6th, 2008

Terence Morgan
Born 8 December 1921(1921-12-08)
Lewisham, London, UK
Died 25 August 2005 (aged 83)
Brighton, East Sussex, England, UK

Terence Ivan Grant Morgan (8 December 1921 - 25 August 2005) was an English actor in theatre, cinema and television.

Terence Morgan was born in Lewisham and started work as a shipping clerk at Lloyd’s of London before winning a scholarship to RADA. After training at RADA, Morgan began as a repertory theatre actor. His career was interrupted by two years in the army in WWII before he was invalided out. In 1948 he joined the Old Vic Company alongside Laurence Olivier, and played the role of Laertes in the 1948 film of Hamlet. He was the first actor in such a role to get fan mail from teenage girls.

In his third role he played a support to Gregory Peck and Virginia Mayo in Captain Horatio Hornblower in 1951. In Mandy (1952) he played the insensitive father of a deaf girl and in Encore in 1951 he played a cad risking the life of his wife. In 1953 he again played a villain in Turn the Key Softly as a crook who gets his girlfriend a prison sentence for helping him in a burglary.

More nasty roles quickly followed with Always A Bride (1953) where he played a Treasury Investigator who turns bad as well as Forbidden cargo in 1954 as a smuggler and Tread Softly Stranger (1958) where he is an embezzler). March Hare (1955) was a break in that he played an impoverished aristocrat riding a horse for the Derby. One of his nastiest roles was in 1959, The Shakedown when he played a pornographer and blackmailer. 1960 saw him as a petty thief in Picadilly Third Stop.

Success came to Morgan when he landed the part of Sir Francis Drake but roles dried up after that as he was no longer seen as “the bad guy”.

He was in 20 films as well as television, perhaps most notably Sir Francis Drake in an ITV series of the same name and as the villainous brother of the mummy (Rameses VIII) in Curse of the Mummy’s Tomb (1964) and the 1967 shocker The Penthouse where he is an estate agent who is forced to watch as his girlfriend is abused by thugs. The Lifetaker in 1975 has him back as the bad guy again where as a wealthy business man he plans ritualistic revenge on his wife and her lover. In 1986 he appeared in a series, King and Castle and in 1993, The Mystery of Edwin Drood. As roles dried up, Morgan bought a small hotel in Hove (near Brighton) and ran that for some years before becoming a property developer.

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Académica Petróleo Kwanda Soyo

September 6th, 2008

Académica Soyo
Logo
Full name Académica Petróleo Kwanda Soyo
Founded 1987
Ground Estádio Imbomdeiro
Soyo, Angola
(Capacity: 10,000)
Chairman Alberto Sabino
Manager Afonso Conde
League Girabola
2006 8th
Team colours Team colours Team colours
Team colours
Team colours
Home colours

Académica Petróleo Kwanda Soyo is an Angolan football club based in Soyo. They play their home games at the Estádio Imbomdeiro. The club was relegated from the Angolan Premier Division, Girabola in the end of the 2007 championship.

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Rometo “Rummy” Macias

September 5th, 2008



















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5Rhythms

September 4th, 2008

5Rhythms is a movement meditation practice devised by Gabrielle Roth in the 1960s. It draws from many indigenous and world traditions using tenets of shamanistic, ecstatic, mystical and eastern philosophy. It also draws from Gestalt, the human potential movement and transpersonal psychology. Fundamental to the practice is the idea that everything is energy, and moves in waves, patterns and rhythms. Roth describes the practice as a soul journey, and says that by moving the body, releasing the heart, and freeing the mind, one can connect to the essence of the soul, the source of inspiration in which an individual has unlimited possibility and potential.

5Rhythms is a trademark owned by Gabrielle Roth, and the practice is only taught by certified teachers.

Contents

  • 1 Introduction
  • 2 The Maps
  • 3 Influences
  • 4 Practioners
    • 4.1 Moving Center Schools
  • 5 Research
  • 6 See also
  • 7 References
  • 8 External links

Introduction

The practice focuses on putting the body in motion in order to still the mind and allow the student to connect to the spiritual. The five rhythms (in order) are:

  • flowing
  • staccato
  • chaos
  • lyrical
  • stillness

The five rhythms, when danced in sequence, are known as a “Wave.” Many students practice the discipline in weekly classes, during which a typical “Wave” can take 45–90 minutes to dance, spending 10–20 minutes in each of the 5 rhythms in sequence. The dance is usually allowed to express itself with minimal instruction, with the teacher allowing the music (DJ’ed or live) to lead the pace of the class, or simply teaching by example. Intensive workshops are also offered for students, ranging from a single day to week long retreats, during which time teachers and students more deeply and purposefully explore each of the five rhythms, identifying how they relate to the individual (the body, the mind, the personality, the soul).

Weekly classes are often referred to as a way for people to “Sweat Their Prayers”, and most typical students consider the practice a form of “church” or “temple”, although the practice is not directly linked to any particular single religious movement. It has been described by some as a mixture of a Sunday Morning Gospel Service, a Friday Night Dance Club and a Saturday Morning Aerobics class. Elements from the following (varied) list can most likely be experienced or witnessed at any given class: traditional dance, ballet, pop, Latin, aerobics, yoga, tai chi, reiki, meditation, shamantic chanting… The practice includes a number of maps from which students can draw and use during guided meditation.

By putting the body in motion through each of the rhythms it is believed that one can deepen one’s understanding of natural truth and the nature of humanity, and ‘ground’ the mind (and spirit) by connecting back to the body.

The Maps

The work is taught through a series of maps that explore the vast terrain of both the inner and outer worlds of individuals and their relationships to others and the space around them. The maps offer a soul journey by exploring embodiment, emotions, the life cycle, the psyche, and the archetypes. The rhythms offer understanding of our innate powers – being, loving, knowing, seeing and healing.

The first map, “Waves” teaches embodiment of the five distinct rhythms. To embody the rhythms means access to the deep internal wisdom that human bodies contain. The “Heartbeat” map teaches how people have embodied and how they express the emotions of fear, anger, sorrow, joy and compassion; while the “Cycles” map provides great insight and understanding about how one has internalized conditioning and relationships throughout the life cycle specifically in the stages of birth, childhood, puberty, maturity and death. Insight and understanding of the ego is delivered through the psyche map, “Mirrors”.

While the practice is greatly transformative and can be deeply therapeutic, Gabrielle Roth does not describe it as a form of dance therapy. Many therapists have obtained a 5Rhythm certification to support their therapuetic practice.

Influences

Gabrielle’s influences in the early development of this work were psychologist Fritz Perls, anthropologist Gregory Bateson, the film maker Alejandro Jodorowsky and Oscar Ichazo. She spent much time in the 60’s at the Esalen Institute developing this work with the support of Michael Murphy and Dick Price.

Practioners

The 5Rhythms has grown into an international movement with 120 member teachers who are mainly based in the US and Europe.

Moving Center Schools

Gabrielle conceived of the idea of offering her work through educational hubs in 1977. There are currently two Moving Center Schools. The Moving Center Schools are operated by core teachers— teachers who mostly have been with Gabrielle since the infancy of the 5Rhythms inception. The Moving Center Schools lead the development of individuals and certified teachers. The Moving Center School in New York is where Gabrielle Roth and her son Jonathon Horan are based.

The California Moving Center School is operated by Kathy Altman and Lori Saltzman. Andrea Juhan, PhD is also associated with California Moving Center School and has furthered the understanding of this work and its intersection with psychology through her work in Open Floor.

Research

There is a limited amount of research about the 5Rhythms. The Mental Health Foundation, a UK charity published the ‘Dancing for Living Report’ describing a group of women’s experience of 5Rhythms dance and the effects on their emotional wellbeing.

The 5Rhythms Center for Therapeutic Study collects and publishes academic articles on the 5Rhythms and its overlap with other fields.

See also

  • Sacred dance
  • Gabrielle Roth

References

  • Roth, Gabrielle; Maps to Ecstasy; 1989; Nataraj Publishing; Novato, CA
  • Roth, Gabrielle; Sweat Your Prayers; 1997; Jeremy P. Tarcher/Penguin; NY, NY
  • Roth, Gabrielle; Connections; 2004; Jeremy P. Tarcher/Penguin; NY, NY
  • Stewart, Iris; Sacred Dance;
  • North, Madelaine (February 20, 2005), “TALK OF THE TOWN: Just do it Rhythm is a dancer”, Independent on Sunday, <http://findarticles.com/p/articles/mi_qn4159/is_20050220/ai_n9771257>. Retrieved on 22 December 2007 .
  1. ^ Juhan, Andrea (2003), Open Floor: Dance, Therapy, and Transformation through the 5Rhythms., <http://www.5rcts.org/page.php?main=resources&page=Academic%20Research&third=Andrea%20Juhan%20Ph.D> 
  2. ^ List of teachers
  3. ^ Cook, Sarah; Ledger, Karen & Scott, Nadine (2003), Dancing for Living Report: Women’s experience of 5 Rhythms dance and the effects on their emotional wellbeing, Sheffield: U.K. Advocacy Network, <http://www.mentalhealth.org.uk/publications/?EntryId=40177> 

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